By Brunella Antomarini, Adam Berg, Alain Cohen, Rob Spruijt, Erith Jaffe-Berg, Miltos Manetas, Alessandro Lanni, Roberto Diodato, Domenico Parisi, Teresa Iaria, Peter B. Lunenfeld, Ysamur Flores Pena
Aesthetics in current destiny: the humanities and the Technological Horizon is a suite of essays through students and some artists who concentrate on the difficulty of ways arts both swap while conveyed by way of new media (such because the net, 3D printers, and video clips) or are easily subtle via them. The members’ analyses describe how either digital construction and digital communique swap our attitudes towards what we name the humanities. The scope of the themes levels from images to cinema and portray, from theater to avant-garde paintings and internet paintings, and from building of robots to simulation of mind services. the result's an excellent diversity of latest chances and hazards for the humanities, and new views concerning our wisdom of the world.
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Extra info for Aesthetics in present future : the arts and the technological horizon
Although there is no area in which the computer as culture machine has come to so dominate, games are still seen in many quadrants as forever on the verge of crossing over into a realm of deeper meaning and greater cultural impact. Part of this tentative embrace of the gaming medium is that the worlds that games create have steep entry costs—not so much in terms of money or even access, but rather temporally. To master the skills required to play proficiently enough to enjoy gaming itself is merely the first investment of time.
By the time the culture machine eventually simulated and subsumed these sound-generating and sound-organizing modalities, an entire generation of listeners were creating sampled, remixed, digitally processed, digitally accessed music. ” AOL voice-coder greeting, to the advent of audible interfaces and game soundscapes, to the popularity of pop snippets as personal audio identifications in cell phone ringtones, there has been a proliferation of audio cues within work, play, and mobile environments.
Artistic artifacts allow the robots to experience strong emotions, and to familiarize with them, without the dangers associated to strong emotions. 3. Artistic artifacts remind the robots of pleasurable experiences and therefore induce pleasurable experiences. 4. Artistic artifacts create shared emotional states in groups of robots that allow the robots to better coordinate among themselves and to make the behavior of the other robots more predictable. 5. Exposing oneself to artistic artifacts makes a robot emotionally more sophisticated—that is, more responsive to its own emotional states and to the emotional states of others.
Aesthetics in present future : the arts and the technological horizon by Brunella Antomarini, Adam Berg, Alain Cohen, Rob Spruijt, Erith Jaffe-Berg, Miltos Manetas, Alessandro Lanni, Roberto Diodato, Domenico Parisi, Teresa Iaria, Peter B. Lunenfeld, Ysamur Flores Pena