By Warren Montag
Althusser and His Contemporaries alters and expands realizing of Louis Althusser and French philosophy of the Nineteen Sixties and Nineteen Seventies. millions of pages of formerly unpublished paintings from assorted sessions of Althusser's occupation were made to be had in French when you consider that his loss of life in 1990. in response to meticulous learn of the philosopher's posthumous guides, in addition to his unpublished manuscripts, lecture notes, letters, and marginalia, Warren Montag presents a thoroughgoing reevaluation of Althusser's philosophical venture.
Montag indicates that the theorist used to be intensely engaged with the paintings of his contemporaries, rather Foucault, Derrida, Deleuze, and Lacan. studying Althusser's philosophy as a sequence of encounters along with his peers' inspiration, Montag contends that Althusser's significant philosophical confrontations revolved round 3 subject matters: constitution, topic, and beginnings and endings. interpreting Althusser analyzing his contemporaries, Montag sheds new gentle on structuralism, poststructuralism, and the extreme second of French idea within the Sixties and Seventies.
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Extra info for Althusser and His Contemporaries: Philosophy’s Perpetual War
The first edition of the work was published in 1946 under the auspices of Cavaillès’s close friends, Canguilhem and Charles Ehresmann. 9 It is a dense work that makes few concessions to the reader and presupposes a high degree of familiarity with the totality of Husserl’s work, as well as with the logical positivism of the Vienna circle, two traditions that often ignored each other and whose partisans typically claimed not to be able to make sense of the other’s philosophical idiom. Sur la logique is divided into three sections, a critique of “philosophies of consciousness,” which takes Kant (and to a lesser extent Bolzano) as its primary example, a critique of the “logicism” of the Vienna school (particularly Carnap), and a critical examination of Husserlian phenomenology, and culminates in a call for a new philosophy for, if not of, science, a philosophy of the concept.
Someone to say that it is above all literature and written for that, put on the page for that, with the required decor, the initial conventions, the essential relations apart from which there is only effect, illustration, phenomena. That it is a game within the rules of the game that precede the game and what does it matter that Racine himself did not know the rules! 5 Earlier in the same year, Althusser had described a lecture by Barthes on structuralism, which provoked a lively discussion afterward: “we (I) and my men kept quiet: not a bad idea!
History is no longer that infinite space in which are haphazardly scattered the innumerable works of caprice and accident, to the discouragement of the understanding. . ”13 But Montesquieu, it appears, cannot escape the problem of a separation between essence and its expression, between the model and its realization. For if the nature of a government is inseparable from and even in an important sense subordinate to the principle insofar as the actions determine this nature, what determines the principle itself, the passion of virtue in democracies, honor in monarchies, and fear in despotic states?
Althusser and His Contemporaries: Philosophy’s Perpetual War by Warren Montag